#london conference venues

[churchhouseconf]

Exhibitions in London: Host Your Event at Church House Westminster Church House is the ideal venue for exhibitions in London, offering flexible, spacious rooms and top-tier audiovisual equipment. Located in the heart of Westminster, our historic venue provides the perfect setting for exhibitions of all sizes.

[blueorchidhotels]

List of Excel Events July 2024

Dive into an exciting array of events at Excel London this July 2024. From thrilling exhibitions to dynamic conferences, our curated list promises an exhilarating month of discovery and engagement. Explore the diverse offerings within the iconic venue, ensuring you stay informed and make the most of your London experience.

2024 Hankook London E-Prix

20 & 21 July 2024

Event Location: Excel, London

Discover More: https://www.excel.london/visitor/whats-on/2024-hankook-london-e-prix

London T100 Triathlon

27–28 July 2024

Event Location: Excel, London

Discover More: https://www.excel.london/visitor/whats-on/London-T100-Triathlon

*Note: Check the official website and confirm the dates if any change

Enjoy the events by booking hotels near Excel London, Victoria Station, Tower Bridge & Buckingham palace.

Best Hotels to Stay in Central London:

Blue Orchid hotels in Central London offers a diverse range of accommodation options. Blue orchid hotels in london is the best independent hotel chain.

Blue Orchid Tower Suites: A luxurious option in Central London, offering spacious suites with modern amenities and stunning city views.

Blue Orchid Tower Residence: Experience a residential-style stay with top-notch service and comfortable accommodations.

The Wellington by Blue Orchid: This upscale hotel provides a blend of classic elegance and contemporary comforts, ideal for travellers seeking a refined experience.

The Rochester by Blue Orchid: Situated in a prime location, this hotel offers a mix of style and convenience, making it a great base for exploring Central London.

Top London Hotel Packages from Blue orchid hospitality:

ROYAL TIME AT THE TOWER RELAX AND UNWIND FAMILY PACKAGE SUITE SUNDAY

And many more. Visit Blue orchid for more London Hotel deals

Blue Orchid Hotels Nearby attractions to spend your time And Feel the Royal

Hotel near Tower Bridge — 1) Tower Suites, Affordable & Luxury 5 Star Hotel in Tower of London. 2) Tower Residence, best contemporary one and two-bed Serviced apartments

Hotel near Buckingham Palace & Westminster Abbey — The Rochester, Affordable & Luxury 4 Star Hotel in Westminster

Hotel near Victoria Station — The Wellington, Affordable & Luxury 4 Star Hotel in Westminster

Book venues in central London by blue orchid, Suitable for Conference and Meeting Rooms, Private Event Space, Rooftop Event Venue for your next celebrations in Central London.

[lotusevents]

Discovering the Perfect Conference Venue in London

Planning a conference is no small feat, and choosing the right venue can make all the difference. London, with its rich history, vibrant culture, and unparalleled connectivity, offers a plethora of options that cater to every need and preference. Whether you’re organizing a small seminar or a large-scale international conference, London has the perfect venue to ensure your event is memorable and successful. Let’s explore some of the finest Conference Venue London this dynamic city has to offer.

The ExCeL London

Located in the heart of London’s Royal Docks, the ExCeL London is a premier venue for conferences of all sizes. With over 100,000 square meters of flexible event space, it can accommodate everything from intimate gatherings to large-scale exhibitions. The venue boasts state-of-the-art facilities, including cutting-edge AV technology, high-speed internet, and versatile meeting rooms. Its convenient location near London City Airport and excellent public transport links make it easily accessible for both domestic and international attendees.

The Queen Elizabeth II Centre

Situated in the heart of Westminster, the Queen Elizabeth II Centre (QEII) offers stunning views of iconic landmarks such as the Houses of Parliament and Westminster Abbey. This venue is ideal for high-profile conferences, with 32 versatile event spaces that can host up to 2,500 delegates. The QEII Centre prides itself on its exceptional customer service and extensive range of facilities, including advanced audio-visual equipment, catering services, and comprehensive event planning support.

The Brewery

For those seeking a venue with a unique blend of history and modernity, The Brewery is an excellent choice. Located in the City of London, this venue was once the Whitbread brewery and has been transformed into a stylish conference and event space. With its stunning architecture, high ceilings, and contemporary amenities, The Brewery offers a distinctive setting for any conference. The venue provides various spaces that can accommodate from 30 to 1,000 guests, ensuring flexibility for different types of events.

The Crystal

The Crystal, located in the Royal Victoria Docks, is one of the world’s most sustainable buildings and an inspiring venue for conferences focused on sustainability, innovation, and technology. With its modern design and cutting-edge facilities, The Crystal offers an impressive backdrop for any event. The venue features a 270-seat auditorium, multifunctional meeting rooms, and interactive exhibition spaces, making it ideal for conferences that aim to inspire and engage attendees.

The Business Design Centre

Nestled in the vibrant area of Islington, the Business Design Centre (BDC) combines Victorian elegance with contemporary facilities. This venue is perfect for conferences, exhibitions, and trade shows, offering a range of versatile spaces that can accommodate up to 2,000 attendees. The BDC is known for its excellent customer service, flexible event packages, and prime location, just a short walk from Angel Underground Station, providing easy access to the rest of London.

Tips for Choosing the Right Venue

When selecting a conference venue in London, consider the following tips to ensure a successful event:

Accessibility: Ensure the venue is easily accessible by public transport and has ample parking facilities.

Capacity: Choose a venue that can comfortably accommodate your expected number of attendees.

Facilities: Look for venues that offer the necessary technical equipment, catering services, and support staff.

Location: Consider the venue’s proximity to accommodation, restaurants, and entertainment options.

Budget: Make sure the venue fits within your budget, including any additional costs for services and equipment.

London's diverse array of Conference Venue London ensures that every event can find its perfect home. By carefully considering your event’s specific needs and the unique features of each venue, you can create an unforgettable experience for your attendees in one of the world’s most vibrant cities.

[meetingroomz]

Affordable Conference Venues London

Meeting Roomz is your one-stop shop for finding affordable conference venues in London. With a wide selection of spaces to choose from, you can find the perfect venue for any event. Plus, our easy-to-use booking system makes it quick and hassle.

[wingzie]

BTS in the UK Part Two: 2019

In May 2019, BTS travelled to London to perform at Wembley. An extra date was added due to tickets being sold out within 90 minutes and it was announced the concert would be broadcasted in real time on Vlive Plus. Art was seen on Brick Lane advertising it.

Due to the members being quiet the hashtag #FindBTSParty started, with Army making jokes about if BTS actually made it to London or not and where they were. Later on, Namjoon and Hobi also posted, revealing that they were indeed here.

BTS performed Boy With Luv on Britain’s Got Talent. At the end, Jin gave the rose to Dec. Dec later gave the rose to an Army who had waited a long time to get into the venue. 

There was plenty of support on the ground, with the Wembley stadium turning purple. There was also a chalk project at Piccadilly Circus, with Army writing messages of love on the pavement.

The BTS Hyundai advert at Piccadilly circus, with a massive crowd of Army watching. They also stayed behind to spend time together whilst singing and dancing.

Before their concert, BTS took part in a press conference, where they discussed the upcoming shows and answered questions about the group. The members posted photos from the event. One of the members then posted on twitter “C U Soon”, adding to the hype.

On 1st June, BTS began their first concert at Wembley.

Whilst making their way out of Wembley, Army sang back and forth “So show me, I show you” from Magic Shop.

After the concert, Jin posted a tweet taken from backstage. Namjoon posted a photo from the National Gallery and Yoongi also posted a selca. Yoongi then went on Vlive.

Before the second day began, some Army did Jungkook’s Euphoria fanchant on their way to Wembley. Jin also posted before the concert began.

BTS performed their second concert date:

Whilst getting ready for the encore, text appeared on the screen to indicate that ARMY TIME would happen at Wembley. 

Army then sang Young Forever, with everyone getting emotional.

After the concert, Hobi posted his thanks. Jungkook went Live after the concert. The Korean BBQ place called Olle posted the signatures of Jin, then of Jimin and Jungkook who had visited earlier in the week.

Jimin posted his thanks to his friends for attending. This flag was spotted around on the day, with the owners claiming to be friends of Jimin. Jimin later mentioned going around London with them and Jungkook. Jimin also kept the banners, which were later seen on BTS Festa in 2021.

BTS filmed episodes 91-94 in London, saying that they had to film inside the hotel because of the rainy weather.

A few days later, an interview was released where BTS were interviewed by Adele Roberts again.

On 9th August 2019, Taehyung/V released Winter Bear. The MV featured self-filmed scenes of London.

Sources:

[lizouri]

Methodist Central Hall.

Central Hall Westminster in London is a versatile venue that functions as a Methodist church and a bustling conference hub. The space seamlessly blends spirituality and functionality, offering a vast Great Hall, serene art galleries, and office spaces.

📍: London, City of Westminster

[coochiequeens]

In other words: men have fit over something not centering them.

By Emily Jane Davies 11 October 2024 

An LGB Alliance conference held in Westminster was thrown into chaos today after 'trans activists' reportedly released cockroaches, meal worms and crickets inside.

The charity says it 'promotes the rights of lesbians, bisexuals and gay men, as recognised by biological sex'.

When the group was made a charity in 2021, several furious trans rights groups appealed the decision. 

Today, the gay rights group held a conference at the Queen Elizabeth II Conference Centre in central London but videos on social media show bugs at the event.

Posts on X by those in attendance claim they saw seven young trans right activists dump two bags of the insects.

Videos show hundreds of the bugs crawling over the purple chairs at the hall. 

An LGB Alliance conference held in Westminster was thrown into chaos today after 'trans activists' reportedly released cockroaches, meal worms and crickets inside

Posts on X by those in attendance claim they saw seven young trans right activists dump two bags of the insects

Jamie Reed, a speaker at the event, posted: 'Two minutes before I was supposed to speak on the stage a TRA just dumped a bag, full of cockroaches and bugs all across the auditorium and ran out. 

'Please take note: I will not be silenced. You can try everything to intimidate me into silence. It will not work. As I was to take the stage at the @AllianceLGB conference a TRA dumped bags of live bugs.

'We went through two layers of security, including metal detectors.'

Another post read: 'Trans activists have just disrupted the annual Conference being held by LGB Alliance by releasing insects in the main hall. 

'These nasty individuals who seek to disrupt a peaceful conference of lesbian and gay people show themselves up to be the real bigots.'

MailOnline approached the LGB Alliance for more information.

A Met Police spokesperson told MailOnline: 'Police were called at 16:24hrs on Friday, 11 October to a report of a protest at the Queen Elizabeth II Centre in Broad Sanctuary.

'Four protesters were reported to have released a number of insects inside the venue.

'They were detained by security and escorted from the premises by appropriate adults.

'Police have their details and an investigation into the circumstances remains ongoing.'

The gay rights group has a controversial past, clashing with trans rights charities.

In July last year, the transgender charity Mermaids today its case to have LGB Alliance stripped of its charitable status in what is believed to have been the first case of its kind in the UK.

The attempt by the trans group was branded 'profoundly homophobic' at the tribunal and Mermaid's case was thrown out.

Mermaids launched the legal action arguing that the LGB Alliance should be stripped of its charitable status, alleging the organisation is merely a front for transphobia and political campaigning to prevent changes on gender self-identification in the law. 

The two charities fundamentally disagree on issues of trans rights, with the LGB Alliance taking the view that people cannot change their biological sex while Mermaids argue they can.

See rest of article

[saintmeghanmarkle]

Suffer the little children by u/Mickleborough

Suffer the little children A little pattern seems to be emerging, beginning with Sussexes finding an excuse to appear in public wearing poppies close to Remembrance Day, 11 November.On 7 November they delivered a video message at the inaugural Global Ministerial Conference on Violence Against Children, in Colombia, the one to which they weren’t invited.https://ift.tt/83mQxlk poppy on lapel because, you know, it’s good to show that you remember the fallen. The way the Royal Family does.(NB This is much smoother than their initial ‘personal remembrance’ of war dead on Remembrance Day 2020, by traipsing around Los Angeles National Cemetery with a private professional photographer in tow:https://ift.tt/tEv2RIG Mail archived / unarchivedLest we forget, this, too, was the year that Harry’s request to lay a personal wreath at the Cenotaph in London, on Remembrance Day, was rejected by the late Queen Elizabeth. Much victimhood by Harry, overlooking the fact that personal wreaths aren’t laid on that occasion. But we digress.)Hot on the heels of the video message (about children) come these headlines. According to the Daily Telegraph archived / unarchived:https://ift.tt/dXh09xU wants to take the ‘spirit of the Invictus Games’, with its ‘message of resilience and courage’, to ‘schools worldwide’.Children again.Why children? Some reasons spring to mind:- Associating with children implies that one’s caring, nurturing, trustworthy, etc etc etc.- Children are cute and guaranteed to garner attention.- Children are a captive audience - they’re already grouped in schools, at no cost: no hiring venues, promotion, fear of empty seats.- Children aren’t critical - no jeers, boos, or awkward questions from them.In my opinion, imparting the values of resilience and courage via the Invictus Games is not very suitable. It could be interpreted as telling children that if they join the armed forces; see action; and suffer life-changing injuries, then Invictus will help them heal.This isn’t quite the same as encouraging them to be disciplined in sport so that they might, one day, compete in the Olympics. Or to work hard and become successful entrepreneurs (eh, Meghan?). Far more positive messages.Trust the Daily Mail to focus on the shady side:https://ift.tt/iQoVDfe will be filled by said school kids, their siblings, and their parents. post link: https://ift.tt/PJAkVFh author: Mickleborough submitted: November 19, 2024 at 10:17PM via SaintMeghanMarkle on Reddit disclaimer: all views + opinions expressed by the author of this post, as well as any comments and reblogs, are solely the author's own; they do not necessarily reflect the views of the administrator of this Tumblr blog. For entertainment only.

[bitter69uk]

Born on this day: decadent and charismatic German-Italian actress, model, scene-maker, style icon, “Lady Rolling Stone” and ultimate rock chick Anita Pallenberg (6 April 1942 – 13 June 2017). Pallenberg was an alluring occasional presence in art-y bohemian nightlife in early 1990s London. I recall her DJ’ing at the Horse Hospital once, and coming face to face with her when I opened the bathroom door (“I always need to pee!” she cackled). But before that, buried in the listings of Time Out magazine (in the pre-internet days when it was a dense essential bible that we all relied on), I read about a screening of Pallenberg’s old home movies in East London. It announced she would be present, possibly hosting or emceeing. The venue was a palatial industrial loft in Shoreditch (possibly someone’s apartment), just before gentrification went full tilt boogie there. I sat alone in the back and overheard people conferring that a vintage Cadillac had been dispatched to collect Anita. She arrived late and alone - and sat next to me! Pallenberg – looking just like she did in that 1995 Calvin Klein ad by Steven Meisel with that other ravaged countercultural survivor Joe Dallesandro – radiated elegantly ruined glamour. I never got to meet Nico, but this was a very respectable equivalent. We made small talk. As Pallenberg’s friend Marianne Faithfull describes in her autobiography, “She spoke in a baffling dada hipsterese. An outlandish Italo-German-Cockney slang that mangled her syntax into surreal fragments.” Pallenberg glugged red wine and chain-smoked throughout (there’s a theory she was one of the inspirations for Patsy Stone in Absolutely Fabulous). She also kept up a running commentary on what was happening onscreen (mostly images of herself – clad in Ossie Clark and vintage finery – and Keith Richards in the late sixties cavorting on their jet-set travels). At one point, things turned intimate – a seemingly post-coital Anita and Keef canoodling in bed together. The camera zoomed in on her naked breast. “That’s my neeeple,” she declared in her gravelly Marlene Dietrich voice. I can’t wait to see the upcoming documentary Catching Fire: The Story of Anita Pallenberg. Portrait of Pallenberg by Michael Cooper, 1967.

[richwall101]

Kings Weston House is a historic building in Kings Weston Lane, Kingsweston, Bristol, England. Built during the early 18th century, it was remodelled several times, the most recent in the mid-19th century. The building was owned by several generations of the Southwell family. By World War I, the house was used as a hospital and then later used as a school by the Bath University School of Architecture. The building is today used as a conference and wedding venue, as well as a communal residence.

The building was built between 1712 and 1719, and was designed by Sir John Vanbrugh for the lawyer and politician Edward Southwell on the site of an earlier Tudor house. It was then remodelled in 1763–1768 by Robert Mylne and again between 1845 and 1850 by Thomas Hopper. The Kings Weston estate possesses one of the largest collections of buildings designed by Sir John Vanbrugh in the UK. Whilst the house and the majority of the estate's buildings are still standing, others have been demolished or have been heavily altered. Bristol is the only UK city outside London to possess buildings designed by Vanbrugh. A significant architectural feature is the grouping of all the chimneys into a massive arcade.

[panfritoo]

Exhibition Review: Women in Revolt! Art and Activism in the UK 1970-1990

Anything feminist puts me instantly on guard. Feminism sells. Sure. But can't female artists be recognised for anything other than having a vagina? Female artists in Britain did not occupy the spaces of museums and galleries, their work has been safeguarded under individual mattresses and home archives. So I approached Tate Britain's exhibition with a certain scepticism, wondering if the show would be a tokenistic gesture of promoting ‘inclusivity’.

From the get-go, there is one thing obvious. There are no Guerrilla Girls. There are no Mona Lisas. Each piece, interdependent, brings dimension to all the contradictions and experiences of women at a time of significant sociopolitical change. As a result, the exhibition is messy and fatiguing; it almost tries too much at once. However, this is no sign of failure, there is a feminist, non-capitalist politics which informs the curation of the exhibition. Women in Revolt! Art and Activism in the UK 1970-1990 showcases the works of over 100 female artists who used their work to campaign for women’s rights and whose contribution to British culture has been incredibly uncredited. 

Arranged chronologically, the exhibition begins with photographs taken by then-20-year-old Chandon Fraser of the First Women’s Liberation Conference that took place in Oxford. Unlike images of any male gathering, these images are intimate, women are smiling and some carrying their infants with them. These women are wives, mothers, activists and artists all carrying the burden of being a woman in each role. Maureen Scott's painting Mother and Child at Breaking Point supplies an honest reflection on being a devoted mother and at the same time, losing the sense of ‘I’. Or, Susan Hiller's "10 Months," where she documents her growing pregnant belly through photographs, along with text from her journal where she writes about being a woman artist. At the time, being a female artist and a mother were considered incompatible. These works demonstrate that while society accepts that there are good, bad, and they-went-to-buy-milk-they-said fathers, mothers are held to different standards. 

The works are witty and thought provoking, for instance, Monica SJOOS referencing phallic culture with a painting of a big penis overcasting a city or Rose Finn-Kelcey's 'The Divided Self' a self-portrait of her sitting on a bench at Hyde Park, bookended, appearing on opposite sides of the bench in conversation with her 'other' self. The photograph examines the dichotomy between the person we are in private and the person we are in public. 

The exhibition also recognises the influence of subcultures in their role of pushing the boundaries behind the theatrics of womanhood. In the 1980s, against London's depressive political backdrop, a bunch of working-class teenagers were determined to build their own swinging London and escape into an electric new counterculture. These kids would gather around cubs like Blitz's which made the ultimate test bed for new romantics, punks, fashion and lesbian squatters. The photographs by Jill Posner of lesbian couples inhabiting new places were a way to challenge traditional female beauty canons aimed at male arousal and defy sexual orientation attitudes. While others such as Jill Westwood’s photographs of her wearing a latex outfit or Liz Rideal’s self-portraits of her face in a photo booth as she reaches orgasm would use hyper-sexualisation as a means of declaring control over their bodies and acknowledging their sexual self. 

It becomes evident that women produced work on the fringes of the art industry, creating their magazines, putting shows at alternative venues and sustaining their work through collaboration. The postal art project supported by Monica Ross and Su Richardson is an example of the networks women built to disseminate their work. These works included in the exhibition are small-scale pieces of artwork using DIY techniques that women would produce on kitchen counters with random items found in the house. These collectibles were mailed between women creating documentation of their experiences. Forms of low-status art became a significant medium of feminist art, which is a direct reflection of women's precarious material conditions at the time. 

The exhibition does not focus on a universal experience of women, each room has the function to provide a new layer to the narrative of feminism activism in Britain. Marlene Smiths' “My mother opens the door at 7 am. She is not bulletproof” a portrait of Dorothy Cherry Grace who was shot at her home in Brixton documents the BLK Art Group's contribution to feminist activism and racism in Britain.  

Turning our view back to the present, what does it all mean? Perhaps this is the most important. One cannot stop themselves from making connections between women’s rights then and now. Abortion is being criminalised in my countries disowning women from their bodies, women are still inflicted between becoming a mother and pursuing their careers, walking alone at night is still dangerous, and social media algorithms have taken a role in exposing young minds to figures such as Andrew Tate and their “toxic masculinity” content. But at the same time, I wouldn’t want to live anywhere else in time but now.  

I’ve confessed to myself that I am not a feminist of my time, as a young woman I’ve become weary of the term. Women In Revolt has put into question why I refuse to recognise this history of my gender when it means everything I take for granted now. Despite my initial judgements, this exhibition is a revelation. 

[churchhouseconf]

Top London Conference Venues: Perfect Spaces for Your Next Event

Find the ideal venue for your next business gathering with London conference venues. These venues offer a range of stylish and well-equipped spaces and a professional and memorable experience. Choose from central locations and impressive facilities tailored to meet your event needs. Visit us now!

[blueorchidhotels]

Long Stay Hotels in Westminster: Experience Luxury and Comfort at Blue Orchid Hotels

Westminster, one of London's most iconic and historically rich districts, is a prime location for extended stays in the city. Whether you are visiting for business, leisure, or a bit of both, Westminster offers a unique blend of cultural landmarks, vibrant neighbourhoods, and excellent connectivity. When it comes to finding the perfect long stay hotel, Blue Orchid Hotels stand out for their commitment to providing luxury, comfort, and personalized services tailored to long-term guests. Among their esteemed properties, Wellington by Blue Orchid and The Rochester by Blue Orchid are celebrated as the best boutique hotels in Westminster, suitable for couples, families, business trips, and leisure stays.

History of Westminster

Westminster has a rich history dating back to the medieval period, playing a central role in British politics, religion, and culture. Originally, an island on the River Thames, the area became significant when Edward the Confessor built Westminster Abbey in the 11th century. The Abbey has been the site of coronations since William the Conqueror in 1066. The Palace of Westminster, now home to the UK Parliament, has roots going back to the early medieval era as well. Over the centuries, Westminster has evolved into a bustling district that houses not only the political heart of the nation but also numerous historical landmarks, making it a vibrant area steeped in heritage and culture.

Why Choose Westminster for Long Stay Accommodation

Westminster is at the heart of London, making it an ideal base for extended stays. Here are some reasons why:

Proximity to Major Attractions: Stay within walking distance of world-famous landmarks like Buckingham Palace, Westminster Abbey, and the Houses of Parliament.

Excellent Transport Links: Benefit from easy access to multiple Tube stations, bus routes, and walking paths, ensuring you can explore all of London and nearby locations with ease.

Day Trips from Central London:

Check these day trips that promise for an unforgettable experience.

Vibrant Local Amenities: Enjoy a plethora of restaurants, shops, and parks, offering everything you need for daily living and leisure.

Must-See Attractions in Westminster, London

Westminster is one of London's most iconic districts, home to some of the most famous landmarks and cultural sites in the city. Whether you are visiting for a short trip or an extended stay, Westminster offers a wealth of attractions that cater to all interests. Here are some must-see attractions in Westminster, London:

1. The Houses of Parliament and Big Ben

Description: The Palace of Westminster, also known as the Houses of Parliament, is a stunning Gothic building that houses the UK Parliament. Big Ben, the iconic clock tower, is part of this complex.

Highlights: Guided tours of the Parliament buildings, including the House of Commons and House of Lords; witnessing the Changing of the Guard ceremony; hearing Big Ben chime.

2. Westminster Abbey

Description: A UNESCO World Heritage site, Westminster Abbey is a magnificent Gothic church with over a thousand years of history. It is the traditional venue for coronations and royal weddings.

Highlights: The Coronation Chair, Poets' Corner, the resting places of monarchs and notable figures, and stunning stained glass windows.

3. Buckingham Palace

Description: The official residence of the British monarch, Buckingham Palace is an iconic symbol of the British monarchy.

Highlights: The Changing of the Guard ceremony, tours of the State Rooms (open to the public during the summer), the beautiful palace gardens.

4. St. James's Park

Description: One of London’s oldest and most picturesque parks, St. James’s Park offers a serene escape in the heart of the city.

Highlights: Scenic walks, views of Buckingham Palace, pelican feeding time, the Blue Bridge for excellent photo opportunities.

5. The Churchill War Rooms

Description: Part of the Imperial War Museum, the Churchill War Rooms offer a fascinating glimpse into Winston Churchill's wartime bunker and the secret underground headquarters used during WWII.

Highlights: The Map Room, Churchill’s office and living quarters, interactive exhibits on Churchill's life and legacy.

6. The National Gallery

Description: Located in Trafalgar Square, the National Gallery houses an extensive collection of Western European paintings from the 13th to the 19th centuries.

Highlights: Works by masters such as Van Gogh, Da Vinci, Rembrandt, and Turner; free admission; special exhibitions and events.

7. The Victoria and Albert Museum

Description: Known as the V&A, this museum is the world's largest museum of decorative arts and design, with a vast collection spanning 5,000 years.

Highlights: Fashion and textiles, ceramics, jewelry, and the renowned Cast Courts.

8. The Tate Britain

Description: Tate Britain is home to the national collection of British art from the 16th century to the present day.

Highlights: Works by J.M.W. Turner, John Constable, and modern British artists; special exhibitions and events.

9. The Westminster Cathedral

Description: Not to be confused with Westminster Abbey, Westminster Cathedral is the mother church of the Catholic Church in England and Wales.

Highlights: Stunning Byzantine architecture, the cathedral’s mosaics, and the tower offering panoramic views of London.

10. Trafalgar Square

Description: A bustling public square in Westminster, Trafalgar Square is a central point for tourists and locals alike.

Highlights: Nelson's Column, the National Gallery, fountains, and frequent cultural events and demonstrations.

Benefits of Staying at Blue Orchid Hotels for Long-Term Guests

Blue Orchid Hotels are renowned for their exceptional hospitality and quality services. Here’s why they’re perfect for long-term stays, suitable for couples, families, business trips, and leisure stays:

Discounted Rates: Enjoy special rates for extended stays, making your visit more affordable without compromising on luxury.

Enhanced Amenities: Long-term guests receive enhanced amenities, including spacious suites, in-room kitchen facilities, and dedicated workspaces.

Personalized Services: Experience personalized service tailored to your needs, ensuring your stay is comfortable and enjoyable.

Detailed Look at Blue Orchid Hotels' Long Stay Options

Blue Orchid Hotels in Westminster offer a range of features and services designed to cater to long-term guests. Among the best options are Wellington by Blue Orchid and The Rochester by Blue Orchid, known for their boutique charm and exceptional service, suitable for couples, families, business trips, and leisure stays.

Wellington by Blue Orchid:

Hotel Features:

Fully Equipped Kitchens: Prepare your own meals with ease using fully equipped kitchens available in our long stay suites.

Spacious Living Areas: Enjoy the luxury of space with separate living areas and bedrooms, perfect for relaxing after a busy day.

In-Room Laundry Facilities: Benefit from the convenience of in-room laundry facilities, making it easy to manage your wardrobe during an extended stay.

High-Speed Internet: Stay connected with high-speed internet and dedicated workspaces, ideal for remote work or keeping in touch with loved ones.

Exclusive Services:

Housekeeping Services: Enjoy regular housekeeping services to keep your space clean and comfortable.

Concierge Services: Our concierge team is always available to assist with your needs, from booking tickets to recommending local attractions.

Access to Facilities: Long-term guests have full access to hotel facilities, including fitness centres, business centres, and dining options.

The Rochester by Blue Orchid:

Hotel Features:

Elegant and Spacious Rooms: Experience the charm of boutique luxury with rooms that are both elegant and spacious, providing a comfortable home away from home.

In-Room Dining Options: Take advantage of in-room dining services, offering convenience and variety for extended stays.

Luxurious Bedding: Enjoy a restful night's sleep with high-quality bedding and linens, ensuring maximum comfort.

Work and Leisure Balance: The Rochester provides spaces designed for both work and relaxation, perfect for long-term guests.

Exclusive Services:

Personalized Guest Services: Experience tailored services to meet your specific needs, ensuring a pleasant and personalized stay.

On-Site Dining: Savor delicious meals at the hotel’s restaurant, offering a range of culinary delights.

Fitness and Wellness: Access to fitness facilities to maintain your wellness routine during your stay.

Top Central London Hotel Packages and Reservation Details

Blue Orchid Hotels offer special packages for long-term stays, Spa package, Family Stays, Luxury suite package, etc providing excellent value for extended visits. These packages are perfect for those seeking 4-star hotels, boutique hotels, and luxury accommodation in central London. Contact us directly for the best rates and to learn more about our tailored long stay options. Visit our website or call us to make a reservation and ensure a luxurious and comfortable stay in Westminster.

Conclusion

Choosing Westminster for your long stay means enjoying a vibrant, well-connected area rich in history and culture. Blue Orchid Hotels, particularly Wellington by Blue Orchid and The Rochester by Blue Orchid, offer the perfect accommodation, combining luxury, comfort, and personalized service to make your extended stay memorable. Suitable for couples, families, business trips, and leisure stays, Blue Orchid Hotels ensure a truly exceptional experience. Book your long-term stay with Blue Orchid Hotels today and experience the best of Westminster.

[kulturegroupie]

Led Zeppelin's press conference at Bayshore Inn, Vancouver. March 21, 1970.

The news conference to kick off Led Zeppelin's North American tour started like any other—the hors d'oeuvres were tasty, the coffee lukewarm and singer Robert Plant, lead guitarist Jimmy Page, drummer John Bonham and bass guitarist, John Paul Jones were 20 minutes late.

But from the moment they arrived and CBC Vancouver television crews spotted assorted reporters and disc jockeys on the floor for atmosphere, it was something else.

For openers, an attractive girl with a wealth of background information of the English rock group mistook Plant for Page. Plant let her finish her question about their filming session at Albert Hall in London, then said:

"It's no good addressing me as Jimmy. I'm Robert." Standing up. he yelled, "Give the lady a hand" while his embarrassed questioner blushed as Plant blew kisses and winked at her.

It wasn't that they needed media exposure. Their second album, Led Zeppelin II, was outselling the Rolling Stones and the Beatles and their month-long tour would gross about $650,000.

The Zeppelin is an electric, electrifying group built around Plant—who screams in three octaves—and charged by the excitement it generates for the audience.

Plant says he's a product of English blues of the 1960's, but "I don't profess to be a blues singer. Blues isn't white or black or yellow. It's a single person's interpretation of emotion. He could be singing about his '68 Cadillac ... it could be a lot of mumbo-jumbo. If we have an influence — classical or otherwise — it's not an intentional one. The music we give through an audience ... it's something that comes from the subconscious. With the pace we work at. we don't have time to play favorite pieces."

While Bonham and Jones tried not to look bored. Page and Plant fielded questions for an hour of the use of acoustic guitar on stage, the filming of a concert in Albert Hall for a possible television documentary and the difference between fan reaction in North America and Europe.

"It's really a matter of the size of the venues" said Page. "Albert Hall, the biggest in England, has a 5,000 capacity. Here we've drawn what... 19,000".

"A good audience anywhere will sit down, critically listen and get loose." said Plant. "They don't worry about: 'Oh. Fred next to me isn't raving.... On our last tour, one guy was on a different plane. He insisted on taking off his clothes and dancing with me and he kept diving into John's gong. That's all right as long as he's not hurting himself or anyone else."

— From "The Led Zeppelin lands in Vancouver" by Michael Bennett

video footage: x

[sweetdreamsjeff]

Jeff Buckley in the U.K.

Jim Irvin, 'From Hallelujah to the Last Goodbye' (Post Hill), May 2018

Excerpted from Jeff Buckley: From Hallelujah to the Last Goodbye by Jeff's former manager Dave Lory and former MOJO man Jim Irvin (Post Hill Press).

JEFF BUCKLEY loved British music; the nervous energy in British punk, the wired consciousness of the Clash, the way Siouxsie and the Banshees went from gun-metal moodiness to skies full of fireworks.

He adored the Cocteau Twins, of course, especially Liz Fraser's "impossible voice". He loved how the Smiths called to outsiders and nerds. He loved the textures of Johnny Marr's supple guitar and the mordant presence of Steve Jones's guitar in the Sex Pistols.

Jeff, whose own nervous energy was considerable, became even more wired whenever we went to the UK; he was stimulated by its variety. He also appreciated its compactness – the lack of eight-hour drives between cities was refreshing.

Sony had passed on Live at Sin-é in Europe. We were understandably disappointed, but there was a solution close at hand: Steve Abbott, known to everyone as Abbo, who ran the eccentric indie record label Big Cat and had picked up on many of the promising un-signed bands playing in New York: Pavement, Mercury Rev, Luscious Jackson. He had approached Jeff after Gods & Monsters and Sin-é shows and asked him if he'd like to record with Big Cat, but then Sony stepped in. Jeff felt that he owed Abbo a record, so when Columbia UK passed on Live at Sin-é and Michele Anthony instigated a funding deal with Big Cat, it seemed the perfect opportunity for them to become involved. Abbo jumped at the chance.

Big Cat's small team – Abbo, co-owner Linda Obadiah, Frank Neidlich in marketing, and Jacqui Rice in press – did such a good job that the week it was released in Europe, Live at Sin-é sold over four thousand copies, which was amazing for a complete unknown.

After a Sony conference, where it was clear that a lot of the affiliates were bemused by him, Jeff had a warm-up show at Whelan's in Dublin. By the time he came on, the crowd, several drinks into its evening, had become a little boisterous. Jeff said hello softly, as usual, but no one was really paying attention. Jeff just stood there, waiting. People started to quieten down and watch to see what he would do. There was a pint of his favourite beer, Guinness, sitting on the stool next to him. Jeff lifted the glass to his lips and downed it in one hit. Everyone on the room cheered, and he began the Irish show with the crowd completely on his side.

The audience was more blasé the next night at his London debut at The Borderline, a Western-themed venue under a dubious Mexican diner in Soho, right in the heart of London, a group of local reps for hip American indie labels like Sub Pop and Merge yacking away rather disrespectfully at the bar. In the age of grunge, a lone guy with a guitar softly singing Edith Piaf covers was baffling for some.

"It was an epiphany for me," says Sara Silver, Sony's European head of marketing. "There are some shows where it just feels like you're a voyeur, looking into someone's soul. This was one of those. He was charismatic, but also haunting, and I think because of my particular situation at the time, still suffering from the [loss of my husband], he resonated hugely. This haunting sound was a powerful force, and it was my job to work out how we took it to the world."

A gig the next night in Glasgow meant an early-morning flight back to Heathrow the following morning to catch a session with GLR, London's local BBC station, a slot designed to alert people to the next couple of gigs at the Garage in Islington and at Bunjies, a cute little basement folk club in Central London that dated back to the early 1960s and made Sin-é seem generously proportioned.

Abbo was accompanying Jeff on this run.

"We'd meet regularly at a bar called Tom & Jerry's in New York, hang out and drink Guinness together," Abbo says, "I suppose I became a friend of his, and he didn't seem to have many real friends. I'd only discovered I liked the blues since living in New York, so it was great hanging with him, because he was a huge blues and jazz fan and if there was a guitar around he had to pick it up and show off. He knew every Robert Johnson song, every Muddy Waters tune, Bessie Smith; he introduced me to the physicality of the blues, watching it at close quarters. Everybody talks about his voice, but he was a brilliant guitarist. The guitar was an extension of his body.

"Tim Buckley hadn't really entered my line of vision growing up listening to black music. Singer-songwriters with fluffy hairstyles were not currency on my council estate in Luton! We were in Tom & Jerry's and someone said to Jeff, 'I've been listening to your dad,' and I said, 'Who's your dad?' and he said, 'Tim Buckley.' I knew the name from record shopping; I'd seen the sleeves in the racks, but that's it. But when he came over to Britain there were loads of Tim Buckley fans. And it was a real problem early on, because he really didn't like talking about him."

The traffic from the airport to the GLR studios just off Baker Street was awful. A road accident had slowed everything to a standstill. Jeff's slot on the mid-morning show was fast approaching. "Of course, this was before mobile phones, so I had no way of communicating with the radio station that we were stuck in traffic," says Abbo. "For the last few days on this tour, everyone who'd interviewed Jeff had been asking about his dad. How did Tim write 'Song To The Siren'? Was there stuff in his lyrics that he might have related to? Things Jeff couldn't answer.

"We were listening to GLR while we waited in traffic and the presenter kept saying, 'We're supposed to have this artist, Tim Buckley's son, turning up, but he's late....Will he or won't he turn up?' This went on and on. She must have said 'Tim Buckley's son' about four times and didn't mention Jeff once. Suddenly, he just kicked my car radio in with his big DMs [Doc Martens], just smashed the fascia and then sat back sulking all the way there. I could get another radio, of course, but I was mostly worried he wasn't going to do the performance. 

"We finally arrived about forty minutes late and they were all so rude to us, and yet they knew what the problem was, as they were broadcasting traffic updates and warnings of delays themselves. If I were him, I'd have walked out. The female presenter was a typical local radio DJ, a bit gushy and knew nothing about him and his music. I had a word with the station manager to ask her to stop mentioning Tim Buckley, and he handed her a note to that effect. Jeff just sat there silently and she said, 'What are you going to play?' and Jeff said, 'A song.' I'm thinking, 'Oh god, here we go.' And he started to play "Grace." He did this long guitar introduction, went on for about a minute, like he needed to calm himself down before he got to the actual start of the song, and then he launched into the most electrifying performance. The best I ever heard him do it.

"There were about six phones in the control room, and they all started lighting up. 'Who is this? Who is this? It's amazing!' And all the time, Jeff's getting more and more into it. The presenter went from being this standoffish woman to...I swear she would have thrown herself on him given half a chance, the second he finished singing. You could see she was totally enthralled."

Presenter: "You looked quite exhausted at the end of the song."

Jeff: "I was getting a lot of anger out. Something happened on the way here..."

"The phones didn't stop throughout the next song. The station manager said that in all his twelve years at the station, he'd never seen a reaction like it."

Abbo thinks this performance sparked Jeff's breakthrough. There were certainly plenty of people in line outside the Garage in North London that night. Inside, the first stars were taking note. Chrissie Hynde and Jon McEnroe were in the audience. Chrissie had been a big fan and a friend of Tim's, had actually interviewed him while she was briefly a music journalist with the NME, and she was obviously curious to see how his offspring compared. They struck up a conversation after the show and she clearly said the right thing, because he went off with her to jam with the Pretenders in a nearby rehearsal room. I wasn't carrying anything heavy because of a recent lung collapse, and I didn't want Jeff to pull any important muscles, so I asked McEnroe if he wouldn't mind. He happily hauled Jeff's amp downstairs to the car. The Pretenders' jam with special guests Buckley and Mac went on all night.

Bunjies, as I've said, was tiny, a basement folk club and coffee bar on West Street in Soho, along from the Ivy, with gingham tablecloths and melted candles in wine bottles on the tables and a performance area tucked into a couple of arches in what must have been a wine cellar at one point. It looked unchanged since it had begun in the early 1960s, and had seen a couple of folk booms come and go. It was more of a cafe with an open-mic policy by this point, which felt like a good place for Jeff. There wasn't really any need for amplification, so when we arrived for a sound check there was very little to do but see where Jeff was going to stand in the cramped space and gauge how his voice reflected off the nicotine-stained ceilings. While Jeff did that, I went outside for some fresh air and was stunned to see a line of people already waiting to get into the show.

I took a look at the guest list and realised we'd be lucky to fit twenty of this assembling crowd in the tiny space. Every time I looked up, the line was getting further down West Street. I went back into the venue and found Jeff talking to Emma Banks, the agent. He was saying how great the venue was and that he'd like to do something like hand out flowers to everyone before he went on.

"Jesus, you won't believe what's happening out there," I said to them. "The line goes about four blocks. There's no way these people are going to get in. Is there any way we can do two sets?" Jeff was happy to. Emma spoke to the club owner and was told they had some regular club night happening later on. She came back and said, "They can't do it but I've had an idea!" She disappeared up the steps onto the street, and I spoke to Jeff.

"What flowers would you like?"

"White roses," he said.

"I'll get them," I said, and went back up to the street, where the line had grown even longer.

I walked around looking for a florist and bumped into Emma. "I've booked Andy's Forge," she said. "It's a little place just around the corner in Denmark Street. He can go on at 10:30."

I bought as many white roses as I could find. Jeff handed them to people waiting outside and those lucky enough to get into the club, as he squeezed himself into the corner that passed for a stage. He sang upward, listening to his voice reflect off the curved ceiling into this hot, crowded, and attentive space. There must have been a hundred people stuffed in there.

When the show was over, Jeff walked up the steps to the huddle of patient people that Emma had gathered, plus anyone from the first show who wanted to tag along, and led this crowd like the Pied Piper toward Andy's Forge. Abbo was alongside me. "Have you ever seen anything like this before?" I said.

"Never!" he said. And we laughed liked idiots at the wonderful absurdity of hanging out with Jeff.

© Jim Irvin, 2018

[follow-up-news]

Both suspects in a foiled plot to attack Taylor Swift shows in Vienna appeared to be inspired by the Islamic State group and al-Qaida, Austrian authorities said Thursday, and investigators found bomb-making materials at one of their homes. Officials said one of the two confessed to planning to “kill as many people as possible outside the concert venue.” Three sold-out concerts were canceled Wednesday because of the plot, devastating Swifties from across the globe. Many of them had dropped thousands of euros (dollars) on travel and lodging in Austria’s expensive capital city to attend the Eras Tour shows at the Ernst Happel Stadium, which sat empty Thursday morning. Concert organizers said they had expected up to 65,000 fans inside the stadium at each concert and as many as 30,000 onlookers outside, where authorities said the suspects planned to strike. The foiled attack was planned for Thursday or Friday, according to Austria’s interior minister, Gerhard Karner. Austrian Chancellor Karl Nehammer defended the decision to cancel the concerts, saying the arrests of the suspects took place too close to the shows, scheduled for Thursday, Friday and Saturday. “I understand very well that those who wanted to experience the concert live are very sad,” Nehammer told a news conference Thursday. “Moms and dads are looking after their daughters and sons, who were full of enthusiasm and anticipation for this concert. But it’s also important that in such serious moments as now, it’s inevitable that safety comes first.” Swift is also scheduled to perform at London’s Wembley stadium in five concerts between Aug. 15 and 20 to close the European leg of her record-setting Eras Tour. London Mayor Sadiq Khan said that while he understood Vienna’s reasons for canceling, “We’re going to carry on.” Khan said the capital’s authorities were prepared for shows there following lessons learned from a 2017 attack at an Ariana Grande concert in Manchester, England, that killed 22 people.